Sushant Singh Rajput’s Publicity Rights: Delving into the Order’s Reasoning

In an order dated July 11, 2023, the Delhi High Court in the case of Krishna Kishore Singh vs. Sarla A Saraogi & Ors. [IA 10551/2021 in CS(COMM) 187/2021] rejected the plea of the father of late actor Sushant Singh Rajput (SSR) seeking an injunction against the continued streaming of the film, “Nyay: The Justice” which is based on the late actor’s life.

Before diving deep into the Delhi High Court order, let us look at the status of publicity rights after an individual’s death.

In 1979, in a significant ruling, the California Supreme Court held that the name and likenesses of late actor Bela Lugosi were not heritable, and the right of publicity died with him. Thereafter, the Celebrities Rights Act was passed in the year 1985, which established that publicity rights survive the death of the individual. Similarly, in Washington and Indiana, the position is that publicity rights survive the individual’s death. However, the position is different in New York, where such a right exists only during a person’s life.

This can be better understood through a 2012 judgment of a US Federal Court, wherein the Court prevented Marilyn Monroe LLC from contending that the late actress, Marilyn Monroe, was domiciled in California at the time of her demise. With this contention, Monroe LLC wished to bank on California law (on the posthumous rights of publicity) to assert that the usage of Monroe’s image and likenesses by Milton Greene for commercial purposes was in violation of her publicity rights. Rejecting this stand, the Court applied the principle of judicial estoppel since Monroe’s legal representatives had earlier maintained that she was domiciled in New York at the time of death to avoid paying California estate taxes[1].

In India, there is no law which expressly recognises the publicity or personality rights of individuals yet; hence, the heritability of such rights after the individual’s death is a grey area. However, one can rely on case laws in this regard. For instance, the Madras High Court, in the case of Deepa Jayakumar vs. AL Vijay[2], held that the reputation, personality and privacy rights of a person come to an end after their lifetime and cannot be inherited by legal heirs, like movable or immovable property. Here, the niece of the late Dr. J Jayalalitha filed a suit seeking an injunction against the release of the film, “Thalaiva” and the web series, “Queen”, based on the life story of the former Chief Minister.

Brief Facts of the Present Case

In March 2021, when the movie, “Nyay: The Justice” was still in the making, the plaintiff approached the Delhi High Court seeking a decree of permanent injunction against the defendants to prevent them from using SSR’s name, caricature, lifestyle or likeness in any of the projects or films. The plaintiff’s contention was that his permission had to be obtained before doing so. He submitted that in the absence of Class 1 legal heirs, he was SSR’s sole surviving legal heir in Category 1 of Class 2 legal heirs in accordance with provisions of the Hindu Succession Act, 1956.

Film’s Disclaimer

The Court, after watching the impugned film and comparing its story with real-life events, came to the conclusion that its story is indeed a re-enactment of SSR’s life based on news reports and commented that “Hardly any independent inventive input has gone into the movie”.

Rejecting the defendants’ contentions, the Court held that the disclaimer added at the beginning of the film could not be relied upon to determine whether there was any resemblance between the events shown in the film and real-life events.

Publicly Available Information – No Violation of Rights

The Court pointed out that the film was based on news items that were available in the public domain and hence, no right of SSR was violated particularly since the reports were not refuted or challenged at the time of their publication. Even if “arguendo”, it was assumed that the film violated SSR’s publicity rights or defamed him, such a right was personal to SSR and died upon his demise. Similarly, the other rights referred to in the plaint, including the right to privacy, personality rights, etc., vested in SSR and were not heritable. In arriving at this conclusion, the Court relied on multiple case laws, including the Madras High Court judgment in Deepa Jayakumar vs. AL Vijay[3].

The Court reasoned that before making the film, the defendants were not obligated to secure the plaintiff’s consent, and since it was released on the Lapalap platform in 2021, an injunction could not be issued at this point.

Celebrity Rights as a Sub-species of Personality Rights

It was expressed by the Court that though individuals are entitled to rights arising from their personalities and persona, the concept of conferring additional rights on a person “merely because he, or she, is a ‘celebrity’” has not been accorded judicial recognition.

With this, the Single Judge Bench of Justice C Hari Shankar opined that celebrity rights were a sub-species of personality rights, and the same did not merit further deliberation (since it was already decided that SSR’s personality rights were not violated).

Right to Free Trial cannot be affected by Impugned Film

Coming to the petitioner’s contention that the investigation into the death of SSR was still underway and the impugned movie would be prejudicial to the right to a free and fair trial guaranteed under Article 21 of the Constitution, the Court remarked that the country’s “legal system is, fortunately, not so fickle as to justify any apprehension that the dispensers of justice, who constitute its ethos and backbone, would decide on the basis of the facts depicted in the impugned movie”.

Passing Off in Reverse

Explaining that the tort of passing off involves deception, in “portraying the unreal as the real”, the Court stated that the allegation made by the plaintiff was in reverse as the impugned film was “portraying real facts behind a façade of artificiality and fiction”.

The Outcome

The plaintiff’s application for an interlocutory injunction (IA 10551/2021) against the continued streaming of the impugned film was dismissed in the present case. However, it was clarified that the Court’s decision didn’t have any impact on the plaintiff’s right to claim damages from the defendants.

This decision has far-reaching implications on the country’s stand when it comes to posthumous rights of publicity. If publicity rights are considered part of an individual’s property, it would be equitable if the same were heritable for the benefit of the legal heirs. As depicted at the beginning of the article, the legal position in this matter depends mainly on the concerned jurisdiction. India has yet to develop specific legislation and fill the existing gaps.

References:

[1] https://www.theguardian.com/film/2012/sep/03/marilyn-monroe-estate-image-rights

[2] OSA No.75 of 2020 and CMP Nos.2945, 2946 and 9240 of 2020

[3] Supra 2

Image Credits:

Photo: Judge Gavel with Law Scale on the Background – Photos by Canva

The Court pointed out that the film was based on news items that were available in the public domain and hence, no right of SSR was violated particularly since the reports were not refuted or challenged at the time of their publication. Even if “arguendo”, it was assumed that the film violated SSR’s publicity rights or defamed him, such a right was personal to SSR and died upon his demise. Similarly, the other rights referred to in the plaint, including the right to privacy, personality rights, etc., vested in SSR and were not heritable. In arriving at this conclusion, the Court relied on multiple case laws, including the Madras High Court judgment in Deepa Jayakumar vs. AL Vijay[3].

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Rario's Cricket NFT Case Against MPL & Striker: A Comprehensive Review

The advancement of blockchain technology, Artificial Intelligence (AI), and virtual digital assets has led to growing apprehension about the multitude of legal and ethical dilemmas that could arise from their development and their potential impact on the legal rights of individuals.

The Delhi High Court recently deliberated on the relationship between generative AI and personality rights in Digital Collectibles Pte. Ltd. and Ors. vs Galactus Funware Technology Private Limited and Anr. [CS (COMM) 108/2023]. In this case, the court declined to issue a temporary injunction against the gaming platforms Mobile Premier League (MPL) & Striker for using the name and likeness of certain cricketers to create Non-Fungible Token (NFT) – enabled “Digital Player Cards”.  

Non-Fungible Tokens under Copyright Law

NFTs are distinct digital assets that leverage blockchain technology to validate ownership and are frequently utilised for trading digital art and collectables. Nevertheless, an ongoing discussion revolves around the intellectual property rights tied to NFTs and the question of whether acquiring an NFT bestows copyright ownership.

On the other hand, Online Fantasy Sports (OFS) involve participants creating virtual teams of real-life athletes and competing based on their performance in real sports events. The users pay an entry fee to join and use their skills to participate in online events or leagues. Under prevailing copyright laws, purchasing an NFT does not automatically convey the legal right to claim copyright in the artwork unless a separate commercial agreement is established to that effect. In the instant matter, an OFS platform created NFT-enabled “Digital Player Cards” (DPCs) featuring the names and likenesses of certain cricketers. These digital assets could be owned and traded by users on the blockchain.

Case Overview

Digital Collectibles Pte. Ltd. (Plaintiff No. 1 here) owns and operates ‘Rario’, a digital collectables platform based on NFTs. The platform facilitates selling, purchasing, and trading officially licensed DPCs featuring cricketers. As well-known cricketers, Plaintiff Nos. 2 to 6 granted Plaintiff No. 1 an exclusive license to utilise their names and photographs on the Rario platform.

These DPCs contain names, photographs, and other personality traits of cricketers which are bought, sold, and traded for actual currency on Rario, utilising Rario’s private blockchain. The price of each DPC is determined by the demand and supply for the specific DPC, which is, in turn, influenced by the popularity and renown of the respective cricketers.

Galactus Funware Technology Private Limited (Defendant No.1) is the proprietor and operator of the online fantasy sports platform called MPL, while Defendant No. 2 is the proprietor and operator of the mobile application ‘Striker’, listed on the MPL. Like Rario, Striker users can purchase, sell, and trade DPCs and Striker also utilises NFT technology to authenticate the DPCs on its platform.

In February 2023, a suit was filed before the Delhi High Court against the defendants for using players’ names, images and other attributes (including those of Plaintiff Nos. 2 to 6) on their platforms without obtaining the players’ authorisation or license.

Right to Publicity vis-à-vis Freedom of Speech and Expression

The plaintiffs asserted that the value of the DPCs, considered digital art collectables, is primarily derived from and dependent on the names, likenesses, and other elements associated with the cricketers whose DPCs are offered on the Striker platform. Moreover, they relied on precedents set forth by the Hon’ble High Court of Delhi in D.M. Entertainment Pvt Ltd v Baby Gift House & Ors [MANU/DE/2043/2010] and Titan Industries v M/s Ram Kumar Jewellers [(2012) 50 PTC 486], to contend that the Striker DPCs are an unauthorised endorsement and violated the plaintiffs’ publicity rights.

In reply to the plaintiffs’ contention, the court remarked that while Indian courts have acknowledged the existence of celebrity personality rights, these rights are not absolute and must be weighed within the context of the common law principle of “passing off” and in accordance with the right to freedom of expression enshrined in Article 19(1)(a) of the Indian Constitution.

The Single Judge Bench of Justice Amit Bansal opined that the right to publicity was subordinate to the freedom of speech and expression guaranteed under the Constitution and noted that the “Right to publicity”, i.e., the right to control the commercial use of one’s identity and personality, is not absolute or unrestricted.

The celebrity’s right to publicity is only violated when using their name or image is intended to mislead the public into believing that they are endorsing and associated with the product in question. In such instances, it can be said that the celebrity’s goodwill and reputation have been misused to promote a product or service.

Use of Artwork with Creative Elements

The court highlighted that the DPCs of the defendants include artwork of the players, not photographs, and this artwork was determined to have creative elements that set them apart from the actual images of the players since the defendants have shown their expression through these creations rather than utilising celebrities’ likenesses directly. These innovative features and creative caricatures were held to be protected under Article 19(1)(a) of the Constitution.

Players’ Information Available in Public Domain

The defendants expressed that the content used for DPCs on the Striker platform is in the public domain, which served the purpose of identifying the cricketers on the platform; thus, it is beyond the scope of those cricketers’ personality rights. It was further stated that the platform is categorised as an OFS game, which does not offer the ability to purchase and “own” cricket moments (a key feature of the plaintiffs’ licensed DPCs). The defendants asserted that their DPCs could not be traded or used outside the Striker platform as they are inherently linked to the user experience and format of the Striker platform and highlighted the usage of players’ names and other information in a similar manner is common in other OFS games, demonstrating an established industry practice.

The defendants also cited the decision of U.S. Courts in CBC Distrib. & Mktg. v Major League Baseball Advanced [505 F. 3d 959] and Daniels v Fan Duel Inc [109 N.E. 3d 390], to support their argument that if the information and facts regarding certain celebrities which the defendants use are already publicly available, there can be no valid claim for infringement of publicity rights.

The court noted that OFS operators use publicly available player names and images to identify players. Thus, the court ruled that no one can own information in the public domain and such information can’t be monopolised or licensed. Since public domain facts cannot be monopolised, a third party’s use or publication for commercial gain cannot afford the plaintiffs a cause of action. With respect to the remedies available for an aggrieved celebrity, the court only cited defamation as a resort. 

Accordingly, the Hon’ble Court held that the plaintiffs failed to make out a case for the grant of an interim injunction[1] and effectively gave the go-ahead to Striker as it is not a ‘trading platform’ like Rario per se and does not mislead customers regarding any affiliation with or endorsement and does not violate any right of Digital Collectibles. Based on this, the matter has been listed for completion of pleadings on July 10, 2023.

Order of Single Judge Bench Challenged

Indian cricketers, including Mohammed Siraj, Harshal Patel, and Rario, have challenged the above interim order of the Single Judge Bench through appeals filed before the Division Bench of the Delhi High Court. The appellants lay emphasis on the players’ absolute rights over their persona and argued that there is a misunderstanding as to when fair use ends and confidentiality begins. The Bench has instructed the parties to submit written statements within a week and scheduled the next hearing on July 10, 2023.

Analysis

In the abovementioned case, the Delhi High Court has recognised that the test for determining the infringement of the right to publicity aligns with the principles and standards of the tort of passing off. It is now clear that the right to publicity is violated when a third party employs a celebrity’s information, trait, or attribute in a manner that is likely to cause confusion.

The recent appeal against the order of the Single Judge Bench is a testament to the brunt faced by celebrities when Online Fantasy Sports platforms utilise their images to entice audiences. The position of the Hon’ble Court is yet to be determined; however, the mere incidental or transformative use of a celebrity’s name, image, etc. in connection with a product or service cannot be said to be an infringement of the right to publicity. This order has provided precision to Indian jurisprudence on the right to publicity while also emphasising the need to strike a balance between justly enforcing the right to publicity and upholding the constitutional right to freedom of speech and expression.

Additionally, the court’s decision has the potential to influence the approach of Indian courts in addressing the incorporation of emerging and advanced technologies in our everyday lives. As this field of law is still developing, it remains to be seen whether the Indian judiciary will embrace this trend of engaging with novel concepts.

References:

[1] I.A. 3960/2023

Image Credits:

Photo by Aksonov: https://www.canva.com/photos/MAEJTBLx3xI-cricket-on-laptop-live-broadcast/

The court noted that OFS operators use publicly available player names and images to identify players. Thus, the court ruled that no one can own information in the public domain and such information can’t be monopolised or licensed. Since public domain facts cannot be monopolised, a third party’s use or publication for commercial gain cannot afford the plaintiffs a cause of action. With respect to the remedies available for an aggrieved celebrity, the court only cited defamation as a resort. 

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